亮点是叙述方式、节奏和男女主角间的张力看到派恩我起先是拒绝的但他在这部片子里很好女主也很好——"What we had was real. Wasn't it?""I thought so.""Why did you run?""I think I preferred this being an interrogation.""Well, you've convinced me.""Of what?""(whispers) That you're very convincing."…"Are you okay?""(grunts) Be right back."
看Anna Karina总是演傻姑娘真的挺着急的Godard老让老婆演傻姑娘也挺让人着急的其实不知道为什么总是不怎么喜欢每次Anna Karina跳舞的片段反而那些恍然大悟的时候特别可爱跑过卢浮宫太多动人的细节现实已经足够疯狂Could that be love under such oppressions?